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United Kingdom
Luxury Interiors: Including Exceptional Silver & Works of Art
Fine Decorative Art, Ceramics, Paintings, Sculpture, Clocks and Furniture.
Auction dates
06 Dec 2024 13:00 GMT
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By appointment only
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Buyer's premium
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25 % (exc. VAT) |
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We found 90 items matching your search
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R & S GARRARD: A 19TH CENTURY STERLING SILVER TREASURY INKSTAND, C. 1870
the small encrier of rectangular form with a central hinge for two rising lids, engraved with Renaissance style strapwork and cartouches, raised on four ball feet, one hinged cover revealing a pair of inkpots with glass liners, the underside signed 'R & S GARRARD PANTON ST LONDON', hallmarked London, 1870, maker's mark for Garrard, 900 grams (28.93 oz troy) in weight,
20cm wide
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A COMPOSITION MARBLE BUST OF CAESAR AUGUSTUS
after the Antique, the Roman style bust on cylindrical socle,
51cm high
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AFTER FRANCOIS RUDE (FRENCH, 1784-1855): A TERRACOTTA BUST OF A FISHERBOY
the Neapolitan fisher boy wearing a typical cap, facing dexter and laughing, black patinated, marked 'TERRE CUITE VERITABLE', to the reverse, on a black marble plinth, signed 'RUDE',
37cm high
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1
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Estimate
1,200 - 1,800 GBP
JOSEPH D'ASTE: (ITALIAN, 1881-1945): A BRONZE OF A SATYR AND GOAT
on a naturalistic base, signed 'J. D'Aste', with foundry mark L N Paris J& L, dark greenish patination,
57cm wide x 39cm high
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CARRIER BELLEUSE (1824-1887) A BRONZE FIGURE OF THE ARTIST CORREGIO
by Albert Ernest Carrier-Belleuse (French, 1824-1887), depicting Antonio Corregio Allegri, the seated painter resting his foot on a Doric capital, on a shaped base, signed 'A. Carrier',
46cm high
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1
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4,000 - 6,000 GBP
EMMANUEL VILLANIS (1858-1914): A GILT AND PATINATED BRONZE FIGURE 'THE ECHO'
the 19th century bronze circa 1890, the gilt bronze nude girl reclining on a base modelled as a shell, with brown patination, signed 'E. Villanis',
38cm high
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AN EARLY 20TH CENTURY GILT BRONZE FIGURE OF A GIRL WITH WINGS
Art Deco period, the nude girl with a huge pair of bird wings strapped to her arms about to take flight, raised on a naturalistic integral rocky base, signed 'WAGER', on a faceted marble plinth,
32cm high
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HENRI CHAPU (FRENCH 1833-1891) JOAN OF ARC CAST BY BARBEDIENNE
the seated girl on a circular naturalistic base, signed 'Chapu', and 'F. BARBEDIENNE FONDEUR' with Reduction Mechanique stamp, on a red velvet covered plinth,
the bronze 35cm high
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EUROPE BOURET (FRENCH 1833-1906): A BRONZE FIGURE OF MERCURY
the 19th century bronze figure seated on a rocky base, signed, with two tone patination, signed 'Bouret', on a green marble plinth,
27.5cm high
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FRANCOIS RUDE (FRENCH, 1784-1855): 'JEUNE PECHEUR NAPOLITAIN'
by Barbedienne, the seated nude boy wearing a traditional fisher boy's cap, holding a turtle, seated on a net, on a naturalistic base, dark brown patination, signed 'F. BARBEDIENNE FONDEUR' and with Reduction Mechanique stamp,
25cm wide x 24cm high
Provenance: Purchased by the present vendor from Mary Wise & Grosvenor Antiques Ltd at Olympia Fine Art and Antiques Fair 1995. Original catalogue entry to be sold with the lot.
The marble original by Rude is in the Louvre, Paris.
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RUTH MILLES (SWEDISH, 1873-1941): BUST OF A BRETON GIRL
the bronze bust depicting a young girl in a bonnet, signed 'Ruth Milles', raised on a Sienna marble plinth,
17cm high overall
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LUCY GWENDOLIN WILLIAMS (1870-1955): A BRONZE FIGURE OF A BOY
in the 'New Sculpture' style, depicted breaking a stick across his knee, inscribed 'LGW / 6', on an alabaster base,
24cm high overall
Provenance: Purchased from the present vendor at Christie's, London, 12 October 2010, lot 22.
This lot is subject to AAR.
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GABRIELLE BEDELL-BRICHARD: A BRONZE STUDY OF PUCK CAST BY SUSSE FRERES
early 20th century, french, the boy raised on an shaped naturalistic integral base, dark brown patination, inscribed 'PUCK', and signed 'G. Bedell-Brichard', and 'Cire Perdue' (lost wax cast) and 'Susse Freres Ed. Paris',
23.5cm high
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GIOVANNI VARLESE (ACTIVE: 1888-1922): A YOUNG FISHERBOY
the Neopolitan boy wearing a traditional cap and holding a fish, on a naturalistic rocky base, signed 'Varlese', over a marble plinth,
74cm high
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A PAIR OF MEIJI PERIOD JAPANESE CLOISONNÉ VASES MOUNTED AS LAMPS C. 1880
each cylindrical vase decorated with multi-shaped floral cartouches to front, sides and reverse. Mounted in French bronze to base top and elephant handles. One vase has sustained a blemish below left elephant handle. Wired for electricity.
39cm high (42cm including light socket, 19cm maximum diameter)
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A PAIR OF LATE 18TH / EARLY 19TH CENTURY BRONZE FIGURES AFTER CHARLES-ANTOINE BRIDAN
CIRC 1800 After Charles-Antoine Bridan (French, 1730-1805), possibly Italian, depicting a pair of children or putti, one holding a dove, the other a bird's nest, their hair arranged in the classical style and finely chased, each beside a draped tree trunk and raised on oval bases, mounted on breccia marble cylindrical plinths over black marble bases, unsigned
the bronzes 21cm high, 33cm high overall (2)
Footnote: The present bronzes were conceived by Bridan in marble and produced in bronze by other maker's, including possibly Righetti. A comparable pair of bronzes circa 1800 were sold at Sotheby's London, 12/02/1998, and a pair of the marble figures, attributed to Bridan were sold on 5/10/2000
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1
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1,200 - 1,800 GBP
A PAIR OF 19TH CENTURY BRONZES OF VENUS AFTER FALCONET AND ALLEGRAIN
Venus Sortant du Bain after Allegrain, depicting the nude maiden holding her falling drapery with her left hand, about to dry herself, her hair arranged in an elaborate coiffure with entwined plaits, dark brown patination, the figure of Venus bathing by Falconet of similar design, both raised on black marble plinths,
47cm high (2)
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EDWARD HENRY EUGENE FLETCHER (1857-1945): SHIPPING ON THE THAMES
oil on canvas, London shipping scene, with boats on the River Thames, Tower Bridge in the background, signed lower left 'E. Fletcher', in giltwood frame,
the painting 76cm x 51, the frame 97cm x 71cm
Provenance: Christies, London, 9th November 1995, lot 50. Sold with a copy of the original auction catalogue. With paper lot label to reverse of frame.
A similar painting by Fletcher also with Tower Bridge in the background was sold at Christie's, London, 19 May 2009, lot 413, £1750.
Fletcher was born at 27, The Grove, Hammersmith and studied at the Chelsea Art School. A successful Marine artist, he painted for a dealer by the name of Casteloni of Islington, who sold his works in America.He produced a number of paintings of the Thames, and has been compared to William Wyllie. He also painted under the name John Hayes, and is often referred to incorrectly as 'Edwin' Fletcher.
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A FINE 19TH CENTURY FRENCH BRONZE OF 'THE BACCHANALS', AFTER CLODION
depicting a Bacchante family , the semi nude female holding a thrysus, with a boy with a tambourine beside her, the male figure with another child on his shoulders, on a naturalistic base signed 'Clodion', over a Siena marble plinth,
41cm high
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A 19TH CENTURY GERMAN SILVER GILT TAZZA
in the Renaissance Revival style, richly ornamented with embossed decoration, the domed foot with fruits and foliage, the stem modelled with bearded men in the full round, holding aloft the circular dished bowl, decorated with a repeated motif of a Bacchic mask interspersed putti and centred by a roundel containting cartouches surmounted by a lion and bearing the date 1567, apparently unmarked, approximately 330 grams in weight,
12cm high
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1
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1,600 - 1,800 GBP
A PAIR OF LATE 19TH CENTURY FRENCH SILVER AND GLASS CLARET JUGS BY BOIN TABURET
the antique wine jugs in the Renaissance Revival style, with scrolling, acanthus wrapped handles, cartouches to the mounts and hinged domed covers, on silver circular bases, with Minerva French silver mark and marked 'BOIN TABURET A PARIS',
27cm high (2)
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A FINE PAIR OF 19TH CENTURY BRONZE AND MARBLE MODELS OF SPHINXES
in the Empire or Egyptian Revival style, each sphinx raised on a verde antico marble plinth, dark brown patination,
31cm high x 20cm wide (2)
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A 19TH CENTURY FRENCH BRONZE GROUP OF CHERUBS AFTER CLODION
the pair of Bacchic putti feeding a goat grapes, dark brown patination, raised on a sienna marble, oval plinth,
25cm high
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PIETRO BAZZANTI (ITALIAN, 1825-1895): A MARBLE FIGURE OF A CHILD
the nude boy reclining on a cushion with tassels over a finely carved Renaissance style day bed with volute scroll top and carved with flowers, the back of the bed signed 'P. BAZZANTI F. FIRENZE',
64cm wide x 34cm high
Provenance: Private UK Collection. Reputedly purchased at Sotheby's in the 1980's.
This unusual marble figure appears to be derived or influenced by an 18th century marble portrait of the royal infant Carlo Tito di Borbone by Giuseppe Sanmartino, circa 1775 and now in the Royal Palace of Caserta. The pose of the child is similar; and although the work follows a tradition of marble figures of lying putti by sculptors such as Duquesnoy; they usually are asleep with eyes closed, whereas our figure has clearly delineated pupils and is wide awake. Rather than referencing an ancient Roman work, our boy reclines on a Renaissance style bed rather than a layer of flowing drapery, indicating that like Sanmartino's marble, this may indeed be a portrait rather than a depiction of a generic angel.
Like many of the other Italian marble sculptors of the day, Bazzanti ran his own studio and gallery, selling his works to the public directly. Other sculptor's such as Romanelli also ran their own galleries, exhibiting their own works and those of the most highly regarded sculptors at the time, such as Cesare Lapini, Ferdinando Vichi and Guglielmo Pugi.
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2,000 - 3,000 GBP
A 19TH CENTURY GRAND TOUR MODEL OF A ROMAN BATH
carved in alabaster, on a rectangular base
26cm wide
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3,000 - 5,000 GBP
AN 18TH CENTURY FLEMISH VERDURE TAPESTRY
Brussels, depicting a courting couple with two ladies in a woodland setting, a house in the background and a cow to the foreground, in a stylised foliate border,
293cm x 227cm
This tapestry design is probably derived from the cartoons of Oudry or Boucher, and is typical of those produced in the 18th century, which strove to acheive as much detail and convey a narrative in the same way as a painting.
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2,000 - 4,000 GBP
V A FINE 19TH CENTURY VIENNESE ENAMEL CUP AND COVER C. 1890
An enamel & silver gilt mounted covered cup. The lid with a Finial of scantily clothed lady enamelled in blue with two cartouches of allegorical figures on a powder blue ground. The cup with waisted body. with silver gilt mounts to the base, decorated with masks and allegorical scenes marked on the rim. Fine no damage or repairs.
23cm x 8.5cm
Good condition.
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1,500 - 2,000 GBP
AN EARLY 19TH CENTURY PAINTED WOOD RELIEF OF THE DANISH ROYAL CREST
circa 1820, the carved wood and polychrome decorated relief depicting the Danish royal coat of arms, surmounted by a central crown over draped lambrequin and flanked by palm fronds,
96cm wide
Provenance: Purchased by the current vendor at Christie's, London, 4 November 2008, lot 366, sold with original invoice.
These arms were used after 1819 and include the lion of Norway.
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1,500 - 2,000 GBP
SAMUEL SMITH OF WORCESTER (FL. 1790-1840): MOUNTAINOUS LANDSCAPE
oil on canvas, depicting a stone bridge with figure driving cattle, a lake and mountain in the background, signed lower left 'S Smith Worcester 1820', mounted in a late 18th / early 19th century giltwood frame, with applied carved limewood pierced border in the style of Grinling Gibbons,
the painting 94cm x 66cm, the frame 118cm x 94cm Dimensions: 118
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THOMAS VAN APSHOVEN (FLEMISH, 1622-1664): INTERIOR WITH OLD WOMAN SLEEPING
oil on panel, depicting a lady sleeping with a dog beside her, two men in the in the background, the genre scene showing an interesting interior with bellows, fruit and a turned pot and cover, signed lower right 'TV APSHOVEN', the back with strengthened panel, in 19th century giltwood frame,
the painting 66cm x 46cm, the frame 84cm x 67cm
The composition of this painting is almost identical to one similarly signed that was sold at Dorotheum, Vienna, October 17, 2007, lot 440 £18,600 euros, except that in the present painting the artist has added a dog that looks at the viewer.
A further panel with very similar scene by van Apshoven was sold at Piguet Hôtel des Ventes, Genève, December 13, 2017, Switzerland.
Thomas van Apshoven was a pupil of David Teniers, and this panel and the similar examples listed above are all derived from Teniers kitchen interior scene featuring a sleeping woman.
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17TH / 18TH CENTURY NEAPOLITAN SCHOOL: THE DEATH OF SAINT ANDREA AVELLINO
the Italian Baroque style oil on board depicting the saint in the arms of an angel, with two further angels holding a flaming heart above, relined on to card, in a gilt frame,
the painting 20cm x 16cm
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ENGLISH 19TH CENTURY SCHOOL: PORTRAIT OF AN ELDERLY MAN
oil on panel, the bearded man dressed in black, apparently unsigned, framed,
31cm x 24cm
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AMERICAN FEDERAL SCHOOL: A MID 19TH CENTURY PAINTING OF CHILDREN
oil on canvas, the primitive Folk Art style painting depicting three children and a cat at a card table with playing cards, re-lined, later framed in a gilt frame with perspex,
the painting 66cm x 58cm
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AMERICAN FEDERAL SCHOOL: A MID 19TH CENTURY PAINTING OF TWIN BOYS AND A GIRL
oil on canvas, the primitive Folk Art style painting depicting twin blonde boys seated a table with a basket with a pair of birds and an orange, with a young girl stood on a chair, re-lined, later framed in a gilt frame with perspex,
the painting 66cm x 58cm
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369
AN EARLY 20TH CENTURY PORTRAIT OF A LADY, POSSIBLY BY OCTAVE DENIS VICTOR GUILLONNET (1872-1967)
oil on canvas, the portrait depicting a lady seated in a red chair by a window, holding a sprig of flowers, signed indistinctly to the lower left 'Guillon***', framed,
the painting 83cm x 93cm
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AN EARLY 20TH CENTURY ENGLISH PAINTNG OF RACING PIGEONS
oil on board, Folk Art / Sporting Art interest, depicting a hen and cock pigeon in a landscape, inscribed 'Dam of 1st Perth / Club & Fed Grand Dam / 1st Chest RD 3 Buxton / 2nd Craven Arms, and below the cock 'MESSRS HOLLEY BRO. BUTE / 1ST WHITLEY BAY 09 / 1ST POOL. 2ND TYNMTH / 5TH PERTH / 10 WIRED 6.45 DAY OF RACE / BANFF 2ST BIRD TO FLY BANFF TO TREHFOD / ALL STAGED TO BANFF / 1ST CLUB / 1ST 51 POOL', in a carved wood frame,
the painting 44cm x 41cm
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A 1935 PAINTING OF A RACING PIGEON BY JOS FRAITURE
of Folk Art / Sporting Art interest,
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N. NIZET (FRENCH, 19TH / 20TH CENTURY): A PAINTING OF A PRIZE WINNING PIGEON
oil on canvas, of Folk Art / Sporting Art interest, depicting 'Petit Rechain', a prize winning racing pigeon, in a French landscape with church in the background, with a stone tablet engraved with his races 1r Px LAFERTE. St / XOUARE. / 1r Px Chateaux- / GALLARD. / Re Px ARTENAY.23 Px St DENIS / 15E Px ARTENAY' signed 'N. NIZET/PEINTRE. / PETIT-RECHAIN' (lower right) in later gilt frame,
the painting 41.3 x 55.9 cm Provenance: Christie's, London, 15 May 2007, lot 153.
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2,000 - 3,000 GBP
AN EARLY 20TH CENTURY PAINTING OF A CARRIER PIGEON
in they style of Andrew Beer, the sporting painting depicting a carrier or racing pigeon, oil on canvas, signed Gmo. Close, 1924, with a list of various flights, such as St. Denis, St. Quentin, Orleans, etc, in a giltwood frame,
the painting 52cm x 46cm, the frame 66cm x 60cm
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C. ARBUTHNOT: A PAINTING OF RED RUM
oil on board, signed and dated 1978, the race horse with bridle, on a plain background, in a giltwood frame,
39cm x 38cm
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19TH CENTURY ENGLISH SCHOOL: A HUNTING SCENE
oil on board, depicting a lady riding side saddle on a bay thoroughbred, and further men on horses, one falling at a fence, in a rural landscape, unsigned, framed,
the painting 40cm x 25cm
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A. VESCOVI (ITALIAN, FL. LATE 19TH CENTURY): A PAIR OF PAINTINGS, LOW TIDE AND FISHERMEN AT SEA
oil on canvas, of maritime / nautical theme, the first depicting various figures at the shore at dusk, the second a fishing boat at sea, both signed 'A. Vescovi' and frame, with paper labels to the reverse for 'The Ravensbourne Galleries'
the paintings 69cm x 42cm, the frames 76cm x 51cm (2)
A similar pair of oil paintings by Vescovi were sold at Bonhams, 8 September 2010, lot 200, £860.
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5,000 - 7,000 GBP
HERBERT JOHNSON (1878 - 1946) : TWO GIRLS FISHING, 1887
oil on canvas, signed and dated 1887, mounted in a gilt frame,
the painting 90cm high x 60cm wide, the frame 114cm x 85cm
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JOSEPH HUGHES CLAYTON (BRITISH, 1870-1930): A PAIR OF WATERCOLOURS
depicting English 19th century cottage scenes with figures and chickens, both signed 'J. Hughes Clayton', in Victorian giltwood and glazed frames,
58cm x 48cm overall (2)
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BRIGHTON BEACH FROM EAST AND WEST, A PAIR OF MID 19TH CENTURY SCENES
early Victorian watercolours, circa 1850, depicting Brighton beach, from east and west, one showing the Chain Bridge, with numerous figures and boats, unsigned, framed and glazed,
the paintings 41cm x 16cm (2)
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A LARGE PAIR OF PAINTINGS OF AN IMPERIAL CAT AND NAPOLEONIC DOG
oil on board, the anthropomorphic paintings depicting a st bernard dog in ermine robes with laurel crown in the style of Napoleon, and a cat also in ermine robes, both in gilt frames,
99cm x 78cm overall (2)
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A LARGE PAIR PAINTINGS OF SINGING CHILDREN
oil on canvas, each depicting three girls, one painting singing, the other with musical instruments, both with mosaic style abstract backgrounds, one inscribed 'S.S. GENEVIEVE DE MONTORRE 1938', both framed,
105cm x 105cm including frame (2)
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2,000 - 3,000 GBP
AN 18TH / 19TH CENTURY NORTH EUROPEAN PAINTED LEATHER THREE PANEL SCREEN
each panel painted in the Dutch 17th century still life manner with bouquets of flowers, mounted in a walnut arched folding screen, the panels currently not screwed together,
each panel 166cm high x 61cm wide
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A LATE 19TH CENTURY NEAPOLITAN BRONZE FIGURE OF THE DANCING SATYR
after the Antique, dark brown patination, on a rectangular base,
36cm high
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AFTER JAMES EARL FRASER: 'THE END OF THE TRAIL'
the bronze figure of a native American Indian on horseback, on naturalistic base, raised on a marble plinth
35cm high overall
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A 19TH CENTURY PAINTED PORCELAIN MINIATURE TOGETHER WITH TWO FURTHER
the 19th century miniature depicting a French nobleman in 18th century dress, of oval form, in a later gilt frame, together with a religious miniature of the Virgin Mary and a minature on metal of a lady in a hat,
the largest 7.5cm including frame (3)
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AN EARLY 20TH CENTURY TERRACOTTA FIGURE OF A NUDE
French, Art Deco period, signed 'I. Montry', depicting a nude girl beside a pair of doves, on a plinth base, repaired,
54cm in length
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A PAIR OF RENAISSANCE STYLE TERRACOTTA RELIEFS OF ROMAN SOLDIERS
the profile portraits depicting the classical figures facing left and right, each in an ornate helmet, fitted with hanging rings for wall hanging to the reverse,
33cm x 47cm (2)
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GUISEPPE CARLI (1915-1987): A TERRACOTTA BUST OF A GIRL
raised on a shaped integral base with gilt decoration, signed to the reverse 'G. Couli', and marked 'MADE IN BELGIUM 17 46',
41cm high
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D. BRUCCIANI & CO.: A 19TH CENTURY PATINATED PLASTER DEATH MASK
of an unknown bearded male, brown patination, signed at the base 'D. BRUCCIANI & CO. LONDON', date worn, with hanging loop to mount on wall,
37cm in length
A plaster cast death mask by by D Brucciani & Co of Dante Gabriel Rossetti is in the collection of the National Portrait Gallery, London. They also produced a death mask of Napoleon.
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A 19TH CENTURY SPANISH OR PORTUGUESE COLONIAL CARVED WOOD FIGURE
possibly South American, depicting the Infant of Praque, the crowned child in priests robes, carved in high relief with flat back, the face painted,
64cm high
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A BRONZE MODEL OF A FOX
modern, the seated fox raised on a black marble base,
21cm high
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A BRONZE MODEL OF A PANDA
the bear in seated position, with two tone patination to delineate his darker fur, naturalisticially modelled, signed 'Milo' and bearing stamp 'Bronze Garanti', on marble plinth,
21cm high
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A BRONZE MODEL OF A GOLDEN EAGLE
after a design by Archibald Thorburn, bearing signature 'A. Thorburn', modelled in the full round, on a naturalistic perch, on a marble plinth, modern,
31cm high
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AFTER FREDERIC REMINGTON (AMERICAN,1861-1909): A BRONZE 'WARRIOR'
the native American Indian on horseback, on a naturalistic base, signed 'Frederic Remington 1900', on a marble plinth, modern,
29cm high
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